Handbook of the new Library of Congress by Small, Caffin, and Spofford

(4 User reviews)   1091
By Donna Ferrari Posted on Jan 12, 2026
In Category - Budgeting
English
Here's a strange one that landed on my desk—a guide to America's biggest library written by three people whose names aren't even on the cover. The 'Handbook of the new Library of Congress' is exactly what it sounds like: a tour through the brand-new building in 1897. But the real story isn't in the marble columns. It's in the ghost author. Who wrote this? Why hide behind 'Unknown' when you had three perfectly good librarians—Small, Caffin, and Spofford—right there? It's a quiet little mystery wrapped in a government manual. If you like books about books, or stories with secrets hiding in plain sight, give this odd duck a look.
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Some minor changes to the text are noted at the end of the book. [Illustration: THE NEW LIBRARY OF CONGRESS.] HANDBOOK OF THE NEW LIBRARY OF CONGRESS COMPILED BY HERBERT SMALL _WITH ESSAYS ON THE_ ARCHITECTURE, SCULPTURE AND PAINTING BY CHARLES CAFFIN AND ON THE FUNCTION OF A NATIONAL LIBRARY BY AINSWORTH R. SPOFFORD [Illustration: (colophon)] BOSTON CURTIS & CAMERON 1897 COPYRIGHT 1897 BY CURTIS & CAMERON THE HEINTZEMANN PRESS BOSTON PREFACE. The intention of this Handbook is to furnish such an account of the new building of the Library of Congress as may prove of interest to the general reader, and at the same time serve as a convenient guide to actual visitors. To this latter end, a system of headings and sub-headings has been introduced, and the building has been described throughout in the order in which a visitor might naturally walk through it. Criticism has been avoided in the general description, but a brief survey of the artistic qualities of the Architecture, Sculpture, and Painting is given in Mr. Caffin’s supplementary essay. The writer had intended at first to give rather a full account of the collections of the Library, of the Smithsonian system of exchange, of the operation of the copyright law, and of the general system under which the Library was carried on. So much of what he might have thus described, however, would have been entirely changed, and so much more considerably modified, by the new methods of administration made possible and necessary by the new building, that it was decided to pass lightly over all matters connected with the administration of the Library. Should another edition of the Handbook be called for, it is hoped that there will be an opportunity to supply this omission. In the meantime it will be found that Mr. Spofford’s paper on the Function of a National Library will serve to indicate the general scope of the institution. The writer desires to express his great obligation, for much information and courtesy, to Mr. Bernard R. Green, in charge of the Library during the time that this book was preparing, to Mr. Edward Pearce Casey, and to Mr. Spofford. Without their assistance the book could hardly have been written. Thanks are due, also, to many of the individual artists for their courtesy in explaining the meaning and application of their work--and in particular to Mr. Elmer E. Garnsey, for a great deal of painstaking assistance. H. S. COPYRIGHT NOTICE:--In addition to the general copyright of this Handbook, which covers the text and illustrations, the engravings of the paintings in the following pages are from Copley Prints, copyright 1896 and 1897, by Curtis & Cameron, the Prints being made directly from the original paintings, copyright 1896 and 1897 by the several artists. TABLE OF HEADINGS. PAGE HISTORY OF THE LIBRARY 2 The Burning by the British Troops 2 The Acquisition of Jefferson’s Library 3 Mr. Spofford’s Administration 3 The Old Quarters in the Capitol 4 The Agitation for a New Building 4 THE NEW BUILDING 6 The General Decoration; Mr. Garnsey and Mr. Weinert 7 The General Character of the Building 8 THE EXTERIOR OF THE BUILDING 9 The Façade 10 THE ENTRANCE PAVILION 11 Mr. Hinton Perry’s Fountain 12 The Ethnological Heads 13 The Portico Busts 16 Mr. Pratt’s Spandrel Figures 17 THE MAIN ENTRANCE 18 Mr. Warner’s Bronze Doors 18 Mr. Macmonnies’s Bronze Door 20 MAIN ENTRANCE HALL 21 The Vestibule 21 The Stucco Decoration of the Vestibule 22 The Marble Flooring 22 The Staircase Hall 23 The Commemorative Arch 23 Mr. Warner’s Spandrel Figures 24 Mr. Martiny’s...

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This book is a straightforward guide. It walks you through the brand-new Library of Congress building as it stood in 1897, room by room. It describes the grand architecture, explains how the books were organized, and details the day-to-day operations. It's a snapshot of a national institution taking its modern form.

Why You Should Read It

Don't let the dry title fool you. The magic here is in the context. Reading this handbook is like finding a time capsule. You get to mentally wander a pristine, empty library, seeing it through the eyes of its first caretakers. You feel their pride in this monumental achievement. The real intrigue, though, is the authorship. The title credits three men—Small, Caffin, and Spofford—yet the author is listed as 'Unknown.' That odd choice makes you read between the lines. Was it a committee effort no one wanted to claim? A rushed job? It adds a layer of quiet mystery to every practical description.

Final Verdict

This is a niche pick, but a fascinating one. It's perfect for history buffs who love Washington D.C., librarians and bibliophiles curious about their field's roots, or anyone who enjoys a puzzle where the mystery isn't in the plot, but in the very existence of the book itself. It's not a page-turner in the usual sense, but it's a unique artifact that tells two stories: one about a building, and one about the people who built it, then seemingly forgot to sign their work.



📜 License Information

There are no legal restrictions on this material. It is available for public use and education.

Susan Martinez
5 months ago

At first glance, the storytelling feels authentic and emotionally grounded. Thanks for making this available.

Logan Baker
3 months ago

Reading this felt refreshing because the explanations feel carefully crafted rather than rushed. I learned so much from this.

Jackson Young
3 weeks ago

In my opinion, the tone remains consistent and professional throughout. I’ll be referencing this again soon.

Melissa Martin
4 months ago

For a digital edition, the clarity of explanations makes revisiting sections worthwhile. I couldn't put it down until the very end.

4
4 out of 5 (4 User reviews )

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